Claude Debussy (1862-1918) is my favorite composer.  That's no secret.

All semester at the University of Houston, I've been working on Debussy-related things: a 15-page analysis of motifs in Pelleas et Melisande, program notes for one of his song cycles, and performance of the first three songs from his Ariettes oubliees.  In all of this work, I've been learning more about how he worked hard to establish a distinct French aesthetic for art music, and how he was largely successful.  We all mostly understand that aesthetic, so I'm not going to describe it in great detail.

I WILL go into some detail, though, about the piece I'm nominating for this week/month/half-year...his Images pour orchestre.  This is a three-movement orchestral work that he originally intended for dual pianos, but changed his mind while composing them.  Debussy was notoriously particular about his music, though, and this work took him a full seven years (1905-1912) to complete.  Its wikipedia page can tell you more, but here's the basic breakdown of when he composed each movement:

Gigues (1909-1912)
Iberia (1905-1908)
Rondes de printemps (1905-1909)

These come close to the end of Debussy's career, and yet one thing I like about them is that they sort of sound like every part of his career rolled into one piece.  Certain moments, particularly in Gigues and the first movement of the triptych-within-a-triptych, Iberia, feel like early, less crazy Debussy...and then other moments feel different.

The last, most interesting thing about these pieces is that, except for the final movement (which is based on French folk-music), they're all based on the music of other countries.  Gigues uses two English folk tunes and Debussy's memories of England as inspiration, and Iberia is inspired by Spain, with Debussy aiming to evoke its visual arts through music.  Despite all of this, they still sound clearly French to me...and also, occasionally, perhaps a little offensive (the castanets at the beginning of Iberia, for example).  So...with that said...have at it!  Get Frenching...preferably not with each other.
Molly
1/6/2014 10:49:28 pm

Thanks for posting this piece, Rameen. It’s freezing out, and so a little trip to sunny Spain was just what I needed.

This feels so much to me like ballet music. It just screams for dancers, or something visual to accompany it, don’t you think? Like some Disney animators need to get together with the late Maestro Stokowski and go all Fantasia on its ass.

I found myself relating certain moments to other (French) music that I’m more familiar with, which premiered later than this, for what it’s worth. Here are some things that jumped out at me from each track/movement:

Gigues: The decending flute (picc?) line that starts at 5:42 is the most Debussy thing that Debussy ever wrote.

Iberia – Par Les Rues et Pars Les Chemins: I agree with Rameen that this is a very French take on Spanish exoticism. All the snare drum made me think of Bolero. Perhaps not in a good way? Is there something particularly Spanish about a snare? What’s the deal with that?

Les Parfums de la Nuit: Check out what happens from about 4:02-4:20. Isn’t it pretty? Know what it reminded me of was the very end of the Poulenc Gloria. Check it. (http://youtu.be/t2_WpgQljO4?t=23m)

Le Matin d’un Jour de Fete: Ok. Make fun of me all you want, but they way this opened with that sort of quiet anticipatory orchestral texture which builds up before busting open into cheery chaos totally made me think of the opening of Disney’s Beauty and the Beast. “Bonjour!” (Or perhaps, “Hey girl!” http://www.funnyordie.com/videos/b8e674117d/bonjour-girl)

But check out this little figure in the violin at around 1:40. I just liked the texture of it. http://imgur.com/Uy110rT

Rondes de Printemps: I don’t hear this as a rondo in the formal sense, but there is a recurring theme, a sort of orchestral bloom that I found really exciting every time it appeared.

I kind of want to hear this performed by a different conductor/orchestra to see if other moments would stand out to me under another baton. I might do just that and report back to you guys.

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